ArtWonk: Survey Reveals $13.5 Million in Grant Cuts from New England Arts Organizations

Morphologies of Emergence: In Conversation with Martha Poggioli

In “On an Overgrown Path,” Matt Saunders Traverses the Space Between Mediums

Sal Lopes’s “Living with AIDS” Returns to the Neighborhood He Documented Thirty Years Prior

In “Tonight the Sky,” Suara Welitoff Holds Time Open

ArtWonk: Heritage Foundation Behind Attacks on Smithsonian and MA State Senate “Fun Coalition” Declares War on Boring

Threads of Continuity at the Saunderstown Weaving School

The Work of Art: “Performing Conditions” at the MIT List Visual Arts Center

“Say It Loud: AAMARP, 1977 to Now” Traces Five Decades of Black Artistic Production

Felicia Megginson’s Self-Portraits Recast Black Presence in Nature

ArtWonk: Nothing Says “Happy Birthday, America” like Attacking the Smithsonian and Violating the Rules of Soccer

Tracing Maine’s Artistic Legacies at Farnsworth Art Museum

Following the Thread: In Conversation with Celeste Diaz Falzone

Rania Abdalla Kadafour’s Soft-Relief Sculptures Test the Limits of Legibility

Bicentennial Blues, Now

Beyond Boston: Eleven Summer Exhibitions Worth the Drive

The Boston Athenaeum Brings Constantine Manos’s 1970s Photo Archive Back into Focus

In “Even As We Grieve,” Peter Bruun Invites Us to Turn Toward One Another

ArtWonk: Summertime Brings the World Cup, Tall Ships, and MA250, but Where Are the Arts?

Come as You Are: “Better Angels” by Heather Kapplow, June 26–28